“The Thirteen Years Of Nero” Album Artwork Likewise, the particular fascination that this band exhibits with Ancient Roman storytelling results in them becoming to said subject in a death metal context what Nile is to Egyptian-focused death metal, complete with occasional employment of some period instrument sounds. Between the mostly deeper barks and snarls of Iacono and the chunky riff work that relies on a well rounded combination of groove and dissonant tones, the sound that emerges has a bit more of an Amon Amarth-like tinge to it, which is further bolstered by some tasteful yet fairly frequent singing melodic passages out of Stephane Barbe that bring a slight melodeath element into the equation. While this outfit often invites comparisons to the likes of Septicflesh and Fleshgod Apocalypse due to the heavy amount of cinematic bluster and dense orchestral sounds accompanying their impact-based brand of extreme metallic fervor, this particular studio endeavor does a fair bit to distinguish Ex Deo from the pack. Following an impressive stream of pomp-steeped symphonic theatricality with a death metal edge covering such noted figures as Caligula and events such as The Punic Wars, this part time fold from Quebec has opted to delve into the rule of one of Rome’s most notorious emperors with their latest offering dubbed “The Thirteen Years Of Nero.” It’s a vast pool of exploits, both heroic and villainous, and longtime Kataklysm front man Maurizio Iacono has made an expansive career on the side with his project Ex Deo covering some of the more famous figures and moments of said history. However, the specific subject of Roman history and mythology has been something of a road less travelled within metal circles, particularly insofar as bands specializing in conceptual storytelling. If you’re a fan of this zany mastermind and somehow haven’t heard Deadhead and Failure from this album, then you’re going about things all wrong.The great exploits of history, both ancient and recent, have provided plenty of lyrical fodder for heavy metal going back as far as the genre’s primordial era. His eponymous Project played two sets that night, opening with an orchestral “By Request” greatest hits showcase before segueing into the entirety of Ocean Machine. Prog metal maverick Devin Townsend pulled out all the stops when he too visited the Ancient Roman Amphitheatre in Plovdiv in late 2017. The album represents Dimmu totally realised – and it only took them two decades to do it.ĭevin Townsend Project – Ocean Machine: Live At The Ancient Roman Theatre, Plovdiv (2018) Forces Of The Northern Night combines the two occasions they’ve played with a complete orchestra (a 2011 Oslo extravaganza and Wacken 2012), fully expanding on the grandiose mania they’ve peddled since the ‘90s. There are droves of “symphonic” black metal acts out there, but Dimmu Borgir are one of the few who deserve the tag. Elevating both the sadness of ballads like Watch Over You and the aggression of Slip To The Void and Addicted To Pain, it was a diverse union that ended up taking both parties to new levels of notice.ĭimmu Borgir – Forces Of The Northern Night (2017) The Scorps had long embraced excess, both in terms of their music and lyrics, so joining up with a full orchestra to sound as huge and imposing as possible just made too much sense.Īlter Bridge – Live At The Royal Albert Hall (2017)įollowing their successful crossover with BMTH, the Parallax Orchestra switched gears to join forces with Alter Bridge, who’d ascended to arena-level stardom by mixing soaring riffs with gritty hooks. Veteran German rockers the Scorpions were among the first to follow in S & M’s footsteps when, in 2000, they released Moment Of Glory: a momentous collaboration with the Berlin Philharmonic Orchestra. When the genre’s biggest band tag-teamed with the legendary San Francisco Orchestra, pure magic unfolded, and everyone that’s made a symphonic metal album since owes Metallica an enormous debt. Thirty years later, Metallica’s S&M was by far the most influential and fruitful in the realm of metal. Lars Ulrich’s beloved Deep Purple had teamed up with the London Symphony Orchestra for their classical blowout Concerto For Group And Orchestra in 1969. Best in-ear headphones (opens in new tab): Louder’s top choice wired and wireless earbuds.On a budget? Here are the best budget turntables (opens in new tab).How to sound like Metallica's Kirk Hammett (opens in new tab).The best Metallica merch 2020 (opens in new tab): amazing gifts for the Metallica fan in your life.
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